The Next Generation in Festival Venues
Danny Savage has a wide and diverse background in venue management, bookings and as a DJ. His Leeds-based company, Igloo Disco, is reputed for supplying high-quality temporary structures for parties, events and festivals nationwide....
The Future’s Bright, The Future’s Green
Marie Sabot is Director & co-founder of We Love Green festival and Associate Director of We Love Art. Since 2011, with We Love Greeen she has proven that a major event can work in...
NFT Ticketing: the benefits it can bring to the festival industry and beyond
The global online ticketing system might be worth around $30 billion, but it has been in a state of increasing collapse for a number of years. Customers' trust has long been dwindling,...
Introducing the Ballot Bin for Festivals
Holly Smith works at Hubbub, a charity that takes a fresh approach to communicating environmental issues, focusing on people’s passions such as fashion, food, homes and neighbourhoods. It avoids doom, gloom and lecturing about...
Behind the Scenes with the Meat and Fish Free Shambala
Chris Johnson is co-founder of Shambala Festival, a Director of Kambe Events, and has managed over 50 festivals over nearly two decades. He co-founded and chairs Powerful Thinking, the UK festival industry forum on...
The Ins and Outs of Temporary Structures for Music Events
Mark Guirard is the Managing Director of Scaffold Tower, a UK-based manufacturer and supplier of bespoke scaffold towers for several UK festivals, music events and more. Here he provides details on the ins and...
Why it’s Become Cool to Drop the ‘C Bomb’
Jamie Williams is a director at Dixie Fields festival and partner at creative agency isobel.
My first job was at a very trendy music film production company in New York, back in 2002. There was always music...
Selling Tickets Like It’s 2025
One of the new wave of companies offering Web 3 based solutions to the festival market is EventsFrame. We asked their head, Pavel Helstyn to outline the advanteges of utilising NFT Ticketing:
How can NFT...
How to Use Your Live Music Data to Turn a Profit
Janneke van Egmond is an editor and marketer at Eventbrite Benelux. With years of experience as an account manager in the event industry she knows what makes organisers tick (and what keeps them awake...
From Glyndebourne to Glastonbury: the Impact of British Music Festivals
Emma Webster is currently the Research Associate on the Impact of Festivals project at the University of East Anglia. Emma is a co-founder and co-director of Live Music Exchange and has been researching live...
