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    Home » Thomas Gerdon brings Nature One into the light with GLP
    UK News

    Thomas Gerdon brings Nature One into the light with GLP

    Michael BakerBy Michael BakerSeptember 15, 2016Updated:September 16, 2016No Comments3 Mins Read
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    Photo credit: Ralph Larmann
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    GERMANY: Nature One, Germany’s biggest electronic music festival, this year attracted a crowd of 65,000. For four days, top acts like Robin Schulz, Paul van Dyk, Sven Väth, Adam Beyer, Laidback Luke and Sander van Doorn played at the open air Pydna missile base in Kastellaun. In total over 350 DJs and live acts performed across 23 stages.

    It was a feast for lighting designers, and in particular Thomas Gerdon. He designed the lighting for the glowing pyramid in the large open-air area. This relied on technical service provider, schoko pro from Wiesbaden, who supplied 150 GLP GT-1 heads, and around 100 more fixtures from GLP’s impression series. It was the sixth time Thomas Gerdon had designed the lighting for Nature One.

    “This year we started completely from scratch, with the dimensions and the basic idea of the floor slightly adapted to accommodate the increasing number of spectators,” said Gerdon. “We wanted a structure that did not restrict the view of the stage — it was larger than in previous years to further enhance the long-range effect. For this we needed a large number of reliable hybrid fixtures — and we found what we were looking for with the GT-1. Meanwhile, the X4 provided its usual high quality voluminous light.”

    He continued: “We have worked frequently with GLP products for many years and have always been satisfied — but we are pleased to have got such an innovative new device as the GT-1. However, the bar set by the competition is also very high, and so such a hybrid needed to deliver a clean and rich, narrow beam, like a wide-open gobo.

    “The GT-1 has fully met all our expectations. We especially enjoyed the animation wheel and the various prisms, while the gobos are really nice and versatile. The gobo animation effects are extremely fast,” he continued. “While in Beam mode the fixture is tidy and has for its class a fairly small hotspot. Even with high zoom rates ​​we really liked the GT-1 — the focus fidelity was really neat, requiring little adjustment. In fact we had great fun with the GT-1.

    “We have used GLP equipment for over 15 years in all facets of our work. However, it’s been in recent years that the GLP brand has really developed as a premium alternative. And what is equally important is that when we need help, we always find a sympathetic ear at GLP.”

    Gerdon added that the enthusiasm for the biggest electronic festival in Germany continues unabated even after more than 20 years — with Nature One selling out in the last two years.

    Besides the four principal floors operated by the organisers, various labels and club operators — from Germany, Austria, Switzerland, the Netherlands and Belgium – took over the other 19 club floors. These were situated in the bunkers of the former missile base. This presented either a club feeling between the one-metre-thick concrete walls for a few hundred visitors, or a magnificent view over the festival grounds from the 10-metre-high bunkers.

    GLP
    Nature One

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    Michael Baker
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