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    Insights

    ‘We can book risks’: how Pitchfork London turns online influence into live experiences

    For decades, Pitchfork has acted as a music tastemaker for generations of fans. Whether it’s…

    Insights

    ‘You can always get better’: Way Out West’s Filip Hiltmann on making major festivals sustainable

    Sweden’s Way Out West may have been able to rest on its laurels as a…

    Interviews

    Interview: the International Festival Forum’s Greg Parmley on the future of festival booking

    The festival season may be soon coming to a close, but that doesn’t mean the…

    Interviews

    ‘The key is to keep refreshing the festival’: six insights we learned from Sziget Festival’s Chief Brand Officer, Tomas Loeffen

    Few major festivals have come from such humble beginnings as Budapest’s Sziget Festival. What started…

    Interviews

    Vikram Gudi: why the music industry needs greater South Asian representation

    Vikram Gudi has made his name in the music industry in quite untraditional ways. He…

    Interviews

    Festival Report: six key insights we learned from Skiddle’s Executive Board Member Duncan King

    Is it becoming harder to throw a party in a green field? Do music festivals…

    Interviews

    Raving for the Ageing: is an over-25 event key to preserving indie UK festivals?

    Muddy fields, warm beer and questionable food stuffs were once synonymous with the festival experience.…

    Interviews

    Kernowfornia founder outlines ambitious plans

    Cornish musician, Jon Stafford of Haunt the Woods, is set to bring a new festival…

    Interviews

    Mobiloo’s James Brown discusses the need for inclusivity

    In 2015 the former Paralympic gold medallist took his talents from the saddle to become…

    Interviews

    Primavera Sound: Collectivism in the face of adversity

    Welcoming around 75,000 people per day to Barcelona, with most of those being international attendees,…

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